Sooji Oh has been a member of the Music Institute’s violin faculty since January 2026. She earned bachelor of music and master of music degrees at The Juilliard School. She took first place at the Monthly Music Times Competition and the Grieg Festival Young Artists Competition, and received the M.D. Douglas Memorial Scholarship and the A.H. Kuhn Memorial Scholarship.
She is a core member of the Klesis Chamber Ensemble. As a performer, she has made multiple appearances at Carnegie Hall, most recently in 2025. She was the founding director of The Laus Hall in Cresskill, New Jersey and has curated music festivals, masterclasses, and concerts with the Escher String Quartet, Lark String Quartet, and Chiara String Quartet. In addition to the Music Institute, she is on faculty in the Community Music Division at DePaul University.
Master of Music and Bachelor of Music, The Juilliard School
Suzuki Pedagogy (Book 1-3)
First place, Monthly Music Times Competition
First place, Grieg Festival Young Artists Competition
M.D. Douglas Memorial Scholarship
A.H. Kuhn Memorial Scholarship
My teaching is built around clear, step-by-step skill development that gives students practical tools for long-term progress. I focus on efficient technique, scale routines, and targeted exercises, helping students break down challenges, diagnose problems, and practice with purpose. Technical work is always connected directly to repertoire, so students understand how to apply what they learn. Lessons also include structured practice planning, performance preparation through goal-setting and mock performances, and reflective feedback. My goal is to help students become independent musicians who know how to practice effectively and make informed musical decisions on their own
DePaul University: Faculty, Community Music Division (CMD)

Klesis Chamber Ensemble: Core Member

Carnegie Hall: Performer (multiple appearances; most recent 2025)

Performance Project of Women Composers: 2024, 2025

Future Project: Hidden “Gem” Composers’ Works

Juilliard School, Pre-College Division: Teaching Assistant, Dorothy DeLay Scale Class

The Laus Hall, Cresskill, New Jersey: Founding Director
Curated music festivals, masterclasses, and concerts with the Escher String Quartet, Lark String Quartet, and Chiara String Quartet
Hobbies/interests outside of music:
Outside of music, I enjoy playing golf, an activity that mirrors many principles of musical practice. It requires body awareness, balance, timing, and rhythm, and success comes from coordinated motion, repetition, and focused practice. Golf has taught me patience, discipline, and the importance of trusting preparation rather than overthinking. Each shot demands concentration, problem-solving, and the ability to reset after mistakes—skills that translate directly to performance and teaching. Playing golf also provides balance outside of music and reinforces habits that support long-term artistic growth!
Most memorable musical moment:
One of my most memorable musical moments was my first recital at Juilliard Pre-College. I remember feeling stressed and nervous—I didn’t know what to expect for a full 75 minutes of performing. However, the moment I walked onto the stage and bowed, something shifted. For some reason, I couldn’t see the audience. Perhaps I was too nervous, or perhaps I simply chose to focus inward. In that instant, it felt like it was just me and the music. I decided to enjoy every moment, letting go of worry and pressure.

That recital became one of the most joyful and relaxing performances I’ve ever had. It taught me that connecting deeply with the music can overcome nerves and distraction. Since then, I approach every performance with the same mindset: being present, trusting my preparation, and finding joy in making music.
What music means to you:
Music is more than my profession—it is a constant source of comfort, strength, and renewal. It refreshes my mind, supports my spirit, and feels like a trusted friend during stressful times. At the same time, music can challenge me and even create a bit of stress, which I see as a healthy sign of growth. I don’t believe life—or music—can be completely stress-free, and that balance is part of what makes it meaningful. Music pushes me to thrive, inspires my passion, and reminds me of the joy and purpose that drive both my life and my artistry.
Recent press coverage: chamber music performance at Carnegie Hall (2025)
Bluebird Project makes its Weill Recital Hall debut at Carnegie Hall with a bold, genre‑blending program. The Chicago-based ensemble brought fresh energy to chamber music through innovative programming, featuring Glière’s lyrical duets, Perruchon’s vibrant dances, and a dynamic Gershwin finale.